Angela Morrow
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Angela moves fluidly between printmaking, and leatherwork, with the consistent theme being color. She has always been passionate about color mixing, constantly finding inspiration in her urban and natural surroundings. Her monotypes consist of multi layers of ink and chine-collé papers, resulting in prints that create depth with transparency and rich tones.
Her leatherwork focuses on the process of debossing vegetable tanned leather. With the use of a bookpress, impressions are made into the leather using woodblock carvings, leather scrap shapes, or found objects. Afterwards, the leather is dyed by hand with sponges with water based leather dyes. A portion of her work explores the combination of monotypes and leather collaged together on cradle panels. While much of her work can be seen as abstract, some suggest pastoral and urban scenes.
Website
Angela moves fluidly between printmaking, and leatherwork, with the consistent theme being color. She has always been passionate about color mixing, constantly finding inspiration in her urban and natural surroundings. Her monotypes consist of multi layers of ink and chine-collé papers, resulting in prints that create depth with transparency and rich tones.
Her leatherwork focuses on the process of debossing vegetable tanned leather. With the use of a bookpress, impressions are made into the leather using woodblock carvings, leather scrap shapes, or found objects. Afterwards, the leather is dyed by hand with sponges with water based leather dyes. A portion of her work explores the combination of monotypes and leather collaged together on cradle panels. While much of her work can be seen as abstract, some suggest pastoral and urban scenes.
